Category: End of Life

Death, dying and end of life

  • Understanding End-of-Life Care: A Practical Guide

    Understanding End-of-Life Care: A Practical Guide

    Introduction

    Initially, I outline the target audience for this end of life care book, introduce the contributors and share my motivations for undertaking this review. This is followed by the substance of the book. The review ends optimistically, tempering serious themes discussed with an acknowledgement of beginnings. 

    Beginnings

    The target audience for this practical guide is those caring for individuals at the end of their life. This is primarily those working in end-of-life care, but the authors are careful not to exclude family and close friends who might be involved in this role. All contributors to the book were based at Princess Alice Hospice (Esher/Surrey) at the time of publication (2015). One of the strengths of this book is the different end-of-life care specialisms represented in this book.

    I have three motivations for reading and reviewing this book. Firstly, at a philosophical level, the sixties mystic Alan Watts in his talks often referred to the value of meditating on our death.  More recently the Latin phrase Memento Mori (remember you must die) has increasingly surfaced on social media.  I had been very reticent to look into the ‘black box’ of death but recently felt emotionally ready to engage. My second motivation is far more personal. Clair Sadler the Editor of this book is my sister.

    The copy I have been reading she gave to me when the book was published.  In the inscription, she wrote ‘… I hope you think it is a “good” read.’ Clair, ‘it is a very good read’.  I am biased, but the only way I would know for sure was by reading the book. My third motivation relates to the second one.  In the past I recommended this book to friends, I did this with good intentions.  As my friends dealt with the emotional and practical challenges end-of-life care raises, my good intentions always felt a little crass.  Writing and publishing this post seems far less prescriptive, more passive and more sensitive.

    How you begin to engage with this practical guide will be influenced by your motivation for reading.  The book took me far longer to read than I had anticipated.  The contributors emphasise the precious nature of time at the end of life and also the need for sensitivity.  They also encourage readers to reflect on the subject matter. In meaningfully reading this book you have to reflect. If you read this book abstractly, I suspect you will miss the point.  I found myself reflecting both on past events and events still to happen.  You need to be in the right frame of mind to undertake such reflections.

    Endings

    After the Foreword and Introduction, chapter titles helpfully employ questions. This is a practical guide and these are the practical questions you might want to answer. Initial chapters cover the meaning of end-of-life care, the people involved and their communications. I learnt that according to the Dying Matters campaign (please see links at the end) there are over 200 euphemisms for dying and bereavement. Next, there are chapters on the common physical and non-physical symptoms at the end of life. It was unsurprising yet reassuring to this lay reader that a patient-centred approach was favoured, typified by ‘the patient is the expert in what they are experiencing’ (Page 101).

    I next learnt about help for the families and the influence of beliefs, values and attitudes on dying. My mental model up to this point had been that I was learning, reading about and engaging with the loss of life. On page 116 one of the complexities of end-of-life care hit me like a steamroller. Losses go beyond the loss of life. End of life care is about acknowledging and working with the loss of roles, the loss of a future and the loss of independence.

    For example, lost roles might include grandparents, friends or daughters and lost futures might be about holidays and adventures which were on the horizon. Lost independence is about acknowledging the increasing need for care from significant others.   The next chapters cover the last hours of life and practicalities after somebody has died. There are two final chapters on looking after ourselves and frequently asked questions which I will return to in the final section.

    Stories of three families are used as illustrative cases throughout the book. These are Maria Brambila, Albert Hughes and Jenny Baxter.  In the early chapters, we get to know Maria, Albert and Jenny and then follow their end-of-life journeys.  The cases are well written and inevitably induced considerable empathy.  However, do not underestimate the power of this book to surface your real-life case studies.  Contributors emphasize the importance of boundaries for those working in end-of-life care. 

    However, for this lay reader, there were no boundaries as I processed memories and future anxieties.  I wish my processing had been exclusively altruistic, but some of the aspects of nursing took me back to personal experiences of hospital surgical care.  My point here is that it is difficult to abstract yourself from what you are reading and abstraction is not the way to go.

    My specialism is organizational change a field characterised by uncertainties.  However, as a lay person, when I look into the world of palliative care, I begin to comprehend the real meaning of uncertainty.

    … to help them have a ‘good death’. This is our goal but not always achievable and this can be difficult for us to accept sometimes. (Page 155)

    I learnt that with all the will in the world you cannot necessarily orchestrate a ‘good death’. Each individual will experience a unique set of physical and non-physical symptoms with the severity and duration of these symptoms varying considerably. Practical guidance is offered to enable planning and strategies to address and even pre-empt symptoms, but uncertainties remain. Time is precious in end-of-life care, but again it is difficult to offer any certainty around a timeline of events. Again, practical guidance is offered, particularly around questions that are likely to arise around life expectancy.

    As well as, for those working in end-of-life care, family and friends will be involved.  Family involvement can range from a child making sense of dying for the first time, to somebody grappling with their dementia whilst fearing losing a loved one. Who is involved and how they engage in these processes becomes another uncertainty? This isn’t just about the end-of-life care for the individual, it is about caring for those they leave behind.  A powerful reminder from Saunders (1989) is shared.

    How people die remains in the memory of those who live on.

    So, so true, yet I imagine profoundly challenging to facilitate those good memories.  In terms of place, this may potentially be in the home, in a hospital or a hospice.  This needs to be tempered with the care that can and perhaps needs to be provided in a particular place. Also, the availability of hospice beds becomes a consideration.

    In the penultimate chapter the focus shifts to the carer in answering the question how do we look after ourselves? The chapter opens with a couple of powerful sentences.

    Caring for people at the end of their life can be rewarding and enjoyable.  It can, however, also be really tough and demanding, both emotionally and physically. (Page 169)

    Acknowledging doing potentially rewarding work, yet also emotionally and physically demanding work offers a philosophical balance.  Even after reading this book, I cannot fully empathise with my sister and those who choose to do such meaningful work.   There were some emotive passages in this book, but there was only one that poleaxed me.  It was a short case extract focused on a carer.

    Since Erika started working as a carer, she never had any sick leave but today she has not come to work. She has texted one of her colleagues to say that she has had enough of looking after people and cannot be bothered to come in, she said they ‘owe’ me a sick day. This really is out of character for her. (Page 170)

    More proactively the chapter addresses the very real challenges that may arise when providing end-of-life care. Setting boundaries, dealing with burnout, building resilience and mindfulness are discussed. But what comes through strongly towards the end of the chapter is the value of supervision and talking this caring role through with another person.  The concluding chapter addresses frequently asked questions.  I had actively engaged with this book, which isn’t always the case when I am reading. I was pleasantly surprised that I could answer these questions from what I had learnt from earlier chapters.

    End of Life Endings and Beginnings

    Inevitable uncertainties of end-of-life care were acknowledged in the previous section, but with that very real caveat in mind, I want to end more optimistically.  These two sentences offer readers hope.

    Most people spend the majority of the last year of their life at home, often with support and care mainly coming from their families. (Page 114)

    …more people die peacefully than don’t. (Page 155)

    One of my motivations for reading this book related to reflecting on Memento Mori (remember you must die). On several occasions, this book spoke to my motivation, for example:

    How do we know what we value in life? Perhaps we only fully understand when it becomes certain it is coming to an end. (Page 132)

    At the end of this book, I didn’t have an epiphany around Memento Mori. I am glad that I made the time to read this book and engaged with the ‘black box’ of death.  This book was well written and effectively organized. That said, it wasn’t an easy read, but then again it isn’t an easy subject.  So, no epiphany, yet I found letting a little light into the ‘black box’ of death illuminating. I start every day with thirty minutes of meditation. After reading this book I revised my meditation practice by incorporating, a four-minute gratitude for life guided meditation. This may have been coincidental, or perhaps my epiphany was subtler than I had imagined.

    Mark and Clair (not a recent  photograph)
    Mark and Clair (not a recent photograph)

    The slightly doomy woodlanddecay.com title for this site alludes to optimism. I do love woodland walking, particularly ancient woodlands. Whilst, the verdant new growth captivates and seduces us, woodland magic is happening beneath our feet. New growth grows out of the old-growth, before itself becoming old growth.  This cycle of life and the interdependence between the new and the old reassures me and gives meaning to the inevitable transitions in my life and the lives of those I love.

    I acknowledged at the beginning that my sister Clair edited this book.  As I read and contemplated hidden family references embedded within some of the cases Clair, as well as, significant others were with me.   The black and white photograph was taken of the two of us at the beginning. Subsequently, we have both had to navigate and continue to navigate the many uncertainties and adventures everyday life presents.  In this sense, there is continuity with end-of-life uncertainties. Perhaps life prepares us to navigate some of the end-of-life uncertainties. There are endings, but thankfully there are also beginnings.

    Reference

    Saunders, C. (1989) Pain and impending death. In P.D. Wall and R. Melzak (eds) Textbook of Pain. 2nd Ed. Edinburgh, Churchill Livingstone, pp.624-31.

    LINKS

    A practical guide to end-of-life care

    Sadler, C. (Ed). (2015) A practical guide to end-of-life care.  McGraw – Hill Education/Open University Press, Maidenhead.

    https://www.mheducation.co.uk/a-practical-guide-to-end-of-life-care-9780335263561-emea-group

    Hospice UK

    https://www.hospiceuk.org/our-campaigns/dying-matters

    Details and very accessible resources about the Dying Matters campaign are available on the Hospice UK website. The following extract from their website gives a flavour of the campaign.

    Talking about death, dying and bereavement is hard. It can feel awkward or uncomfortable and sometimes, you just don’t know what to say.  Dying Matters is the campaign that’s trying to change that. Our mission is to break the stigma, challenge preconceptions and normalise public openness around dying.

    Princess Alice Hospice

    Further information about the Princess Alice Hospice based in Esher, Surrey and the services that they provide is available here:-

    https://www.pah.org.uk/

    Understanding End of Life Care: A Practical Guide
  • Alternative Funeral Music Choices

    Alternative Funeral Music Choices

    Updated February 2023

    I originally wrote this post about alternative funeral music choices back in 2012. A decade later and having attended a couple of funerals recently such musical choices become more relevant by the day.

    Introduction

    How do you identify music for three significant phases in a funeral service:

    arriving,

    remembering and

    departing?

    We are talking about the beginning, the middle and the end of a funeral service. Your faith may determine how your service proceeds. Inevitably there will be a beginning, a middle and an ending and music may or may not be permissible.  I associate different emotions with these three phases as we orientate, remember and depart.  The following fifteen musical choices have mainly been determined by emotions the music evokes. Lyrics can play a part, but it is the power of music to orchestrate emotions which speaks most to me.   

    Arriving needs to be respectful, we are stepping out of one world into another world. Ideally, I want the music at this moment to sound processual with a reflective element.  So not too many beats per minute (BPM) on arrival, music to convey rambling rather than running.  In the middle of the service, there is an opportunity to remember the departed. Again, this is going to be reflective with not too many bpm and a meditative mood.  Ideally a moment in the ceremony of the service to pause and reflect.  The right music choices can encourage such focused reflection.  Finally, and this is very personal, there is music for departing the service.  My music choices at this stage are uplifting, even celebratory. My ideal is that my final departure and departing the service “should” be a positive experience.

    In updating this post, it was interesting to revisit my 2012 musical choices for the three emotional phases.  I liked my choices, but today they would be different.  I have offered five different choices for each emotional phase.  They are for illustrative purposes, as our musical choices are uniquely personal.  I suspect that our preferences even change with the emotions of a particular day, days when the only accompaniment for departing the funeral service is Motorhead! But there comes a time when a choice has to be made.  In the next three sections, the first choice is from 2012 and the last choice is my favoured preference at the time of writing. 

    Hopefully, I will get a little more time to review and revise these choices, but who knows?

    Arriving

    What music do you want to accompany people entering the service as they orientate themselves?

    Boy 1904 by Jonsi/Alex Somers This is an unusual track by Jonsi, more well-known for his work with Sigur Ros. I have been fortunate enough to watch Sigur Ros live on three occasions in three very different settings, once in a small church when they were just starting.  What I like about Boy 1904 is its otherworldly feel, it is solemn, yet for me conjures up the esoteric. Latin, palindromes and a sample of a castrato singing, what more could you ask for?

    Moments in love by The Art of Noise The slow pacing of this track works so well for entering.  This is what I meant by processual, as you listen you can almost imagine a procession.  Again, it is solemn, yet with an undercurrent of joy/love. It is an ambient classic, creating many moments for reminiscing.

    Green is the colour by Pink Floyd This is one of their slower more meditative tracks from the trippy early days.  It is a track I often listen to during my quieter moments. I like the sentiment behind Green is the Colour. It was the colour of my life and my passions and I like to imagine those gathered sharing a pastoral moment.

    Falling by Julee Cruise A hypnotic vocal drifts over wonderfully slow guitar chords, as spaces open up for thoughts and emotions to ebb and flow.  I do like the notion of falling into a funeral service, rather than walking in. Many people will know this track but may struggle to relate it to Twin Peaks.   I like the mischief which a not fully remembered song causes.  Perhaps a little distraction on arriving is no bad thing.

    I love N.Y.E by Badly Drawn Boy Another track which sounds so familiar, yet I suspect the title would allude people, it certainly alluded me, when I recently heard it playing.  It is from About a Boy, a book/film about growing up. How appropriate for arriving linking the beginning of a service with remembering where it all began?  However, it is the gently dancing music which hits the sweet spot for me. It evokes a babbling brook in a sylvan glade, the water bounces about between the rocks successfully finding a way forward somehow.  It is oh so gently seductive, as I listen on repeat and it works almost seamlessly on repeat.  Hopefully, this is the Muzak that they are playing in the departure lounge of life.

    Remembering

    What music do you want to accompany people as they pause to reflect upon a life?

    Song to the siren by This mortal coil A sad celebration of life with a powerful and emotional Liz Fraser vocal. The backstory of this song originally sung by Tim Buckley is worth exploring. There are those wonderful lyrics such as ‘did I dream, you dreamed about me?’  And a wonderful ending ‘here I am, here I am, waiting to hold you.’

    These days by Nico Jackson Browne has also sung this song, but it is Nico and her world-weary singing which captures the emotion for me. The lyrics are all about reflecting on life and making sense of life. Nico sounds so philosophical. She seems to live by the words and in later life, this song lyric has profoundly spoken to me. There is a message for anyone who chooses to listen, ‘these days I seem to think a lot about the things that I forgot to do’.

    Autumn leaves by Stan Getz Many, many musicians have covered the instrumental Autumn leaves. I first heard this song when I took my Mum to see a big band playing. Despite the absence of lyrics, it conveys and encourages reflective autumnal emotions and memories. It is a sad tune, yet strangely contented, reminiscing on life but more substantially accepting the passage of life.  You can see why it made the woodlanddecay.com playlist.

    Around the bay by Department of Eagles This song has always haunted me.  The tempo ebbs and flows throughout as a narrative seems to unfold.  Yet, the lyrics are rather oblique ‘all my thoughts left me again, bliss me out, send me away’. It suggests a sojourn into nature at a mid-point in a service which would be grand.

    Superstar by Sonic Youth A cover of the Carpenters which sounds completely different to the original, Richard Carpenter didn’t like the cover. It goes exceptionally slowly and oozes sadness. Lyrics such as, ‘loneliness is such a sad affair, and I can hardly wait to be with you again’ chime with a funeral service. Regardless of the wonderful lyrics, it is a very meditative and hypnotic track. It really is music to reflect to.

    Departing

    What music do you want to accompany people leaving the service?

    Do you realize?? by The Flaming lips This song is so immense, so uplifting and so wise.

    And instead of saying all of your goodbyes. Let them know you realize that life goes fast. It’s hard to make the good things last.

    The double ?? is intentional if unorthodox.  I was fortunate to see the band live in Brighton and I can confirm they don’t embrace orthodoxy. This track is such a wonderful meditation on the fleeting nature of all of our lives. As a child, it was customary to depart a party with a ‘goody’ bag. Why not leave a service with some uplifting words?

    Tears dry on their own by Amy Winehouse This is a song about the loss of a relationship, rather than a loss of life. I’ve chosen it because it blends sorrow with hope. It offers me hope for tomorrow whenever I hear the song. The song is punctuated with the most wonderful surges of joy. A note of caution, it does contain explicit lyrics.

    Road to nowhere by Talking Heads I like the pace of this track for departing and the lyrics which temper pessimism with optimism.  It is also one of those ironic choices.  My aunty had the time to choreograph her funeral service in advance.  She chose Happiness by Ken Dodd, much of the service has faded from my memory, but I still remember Happiness playing as we entered the service. Today, I accept my inevitable road to nowhere.

    One of these days by Neil Young This clever song captures the nature of saying goodbye. It shifts the focus away from the departed to those attending, as Neil thanks them and at times apologises for what he didn’t get right.  The song moves at a happy pace and has the type of melody and lyrics, such as sit right down and write a letter to my friends which may linger after the service has concluded.

    Up with people by Lambchop Six magical minutes enabling people to potentially sway out of the service in the belief that despite their sadness it is going to be ok. The song seems to take the inventory of the past, yet somehow the arrangement and melody transcend everything.  There are moments when the most wonderful shafts of sunlight shine through the challenges of life. The most uplifting song, I have ever heard, what a wonderful song to sign off with – cheerio!

    Selected Links

    Jonsi and Alex Site

    This Mortal Coil (4AD) Site

    The Flaming Lips Site

    Badly Drawn Boy Site

    Sonic Youth Site

    Lambchop Site

  • Dead Peasants Rest In Peace

    Dead Peasants Rest In Peace

    Last night I settled down to watch Capitalism: A Love Story on More4. I was introduced to the dead peasants label, watching the film seemed appropriate given all the Murdoch related news this week.  It ran from 10.00pm until 12.45am which was a little too late for me.  I ended up watching two-thirds before retiring to my bed before the end. I didn’t complete watching what was a good film for three reasons.  I was tired and it was late. I enjoyed the investigative journalism, but the outcome was inevitably depressing. Finally, I knew how it would end and probably that was the most depressing bit.

    There was a sad episode which merits sharing.  Michael Moore highlighted how certain American businesses (high street names) take out secret life insurance policies on employees.  If the employee dies the American business benefits, but the next of kin and family of the deceased person see nothing of this payout. Invariably the first they know about these policies is upon the death of their loved one.

    Apparently the most lucrative policies are those taken out on young women as this age group are least expected to die and consequently if they die the American business receives a particularly large payout. Michael Moore interviewed the bereaved inevitably tearful about their loss, yet unable to find peace when they subsequently learnt that businesses were profiting from their loss.  It certainly wasn’t capitalism’s finest hour, but the sad epitaph was the use of the ‘Dead Peasant’ label that the American capitalists used for these policies.